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Cynicism, that nasty kid on the contemporary art block, suddenly
seems less entrenched than it has for the past few decades. Love is sprouting
in its cracks. Two staunch advocates of the sweetest and most innocent sorts of
love include Yoko Ono and Jiri Kovanda.
Ono, the cutest, high-spirited veteran of tender feelings, is
currently traveling the globe as a self-appointed ambassador of love. She is so
endearing in this role that she is inspiring lifelong misanthropes to lift the
tiny plastic flashlights she distributes and joyfully comply with her
instructions to learn the code of a language that says it all with just three
words. One flash means “I”. Two flashes mean “love”. Three mean “you”. Flashers
of love are proliferated in auditoriums and stadiums around the globe, eagerly replacing
their willfulness with willingness to proclaim their affections to the great, all-embracing,
anonymous “you”. Their thumbs seem never to weary.
The Czech artist Jirí Kovanda has promoted love by positioning
himself behind a large window, holding up a note that asks passers-by to kiss him through the glass. Remarkably, they do,
expressing the range of affection that attends this loving act: shyness,
passion, tenderness, and so forth. In a culture where institutions and authorities
excel at hostile actions, Kovanda provides a vital arena to practice the art of
loving actions.
These artists are presenting love as a viable alternative to
distrust, aversion, suspicion, fear, defensiveness, aggression that have long been
in vogue. Please join me in reinforcing their efforts. I send you my heartfelt
good wishes, and would be delighted to receive yours in exchange. I also pledge
to devote love to the waters, the air, the soils, and critters who occupy
them.
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