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Yesterday
morning I completed the third stone pillar to support an extension to the
chicken house (our family of fowl has outgrown its quarters). Lathering the
mortar in and around the irregular shapes of the field stone was too delicate
to be accomplished with gloves, so I went at it with naked hands until my
fingers and palms were sucked dry by the mortar. By bedtime, a miracle had
occurred. My cracked skin was completely healed! Inadvertently, I had provided
my distressed hands with the intensive, back-to-the-source skin remedy. It was totally
unexpected – the by-product of cleaning the lanolin permeated fur from
Cinaminny (my lamb), a job that took over an hour.
Tomorrow
I plan to find out if my sore back from stacking wood can be eased by pruning
the apple tree.
Getting better through working - now that's an efficient health plan solution!
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A fire is roaring in my wood stove to quell the autumn chill.
Green is succumbing to brown. Bareness is replacing luxuriance. Dawns and dusks are growing silent; they no
longer chime with the songs of birds, or buzz with the stirrings of insects, or
rustle with the traffic of critters. Yet all this evidence of hunkering down
for the long winter ahead is balanced by the surprising persistence of new sproutings.
Today I clipped the bright pungent shoots from the garlic;
they will offer springtime freshness to autumn salads and soups. Meanwhile the
bare spots in the winter gardens in the cold frames are filling in with hardy
greens and beets and herbs. Inside, I’m nurturing populations of baby bacteria where
they are turning cabbage into sauerkraut and cucumbers into pickles. Outside, the
turkeys, ducks, and geese dash to reap the morning’s offerings from the raspberry
bushes at the edge of the yard. And this week the chicks that hatched in April began
laying tiny multicolored eggs. Mushrooms are springing up in proportion to the
surrounding weeds dying back.
Autumn births and germinations balance springtime deaths and
breakdowns. The rich mosaic of Earth occurrences is not respected by replacing linear timelines with cyclical progressions. Even cycles overlap and intersect and merge.
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The degree to which David Arner liberates himself from
pre-determined constraints and sends it soaring might only be imaginable if you
heard his concert of improvised piano music at The Stone in Manhattan last
night, or if this effort was guided by someone who had this privilege. For
those who missed this momentous event, I offer a step-by-step guide.
1. Imagine writing your
signature with a pencil on a sheet of lined paper and the many constraints
imposed upon you before you lift your pen:
The paper dictates the shape and the dimensions of the field
of operations
The lines dictate the orientation, the spacing within this
field, and the proportions of image to space.
You determine the shape of the letters (no constraints), the
size and width of the letters (constrained), and the darkness or lightness of
your touch (within the paper’s tolerance).
2. Imagine writing your signature on a sheet of paper without
lines.
Now only the shape and the dimensions of the field of
operations are determined before you lift your pen.
In addition to the liberties identified above, you orient your paper in any direction, choose whether to honor the right angled
rigidity of the paper, and select your orientation.
3. Imagine writing your signature in the sand on a beach.
Borders and other constraints dissolve.
You are free to determine the size, shape, orientation,
style, and pressure of your signature.
4. Imagine this beach in outer space – liberated from the gravity-bound
constraints of Earth experience.
The sand-writing analogy only describes Arner’s starting
point, not his destination.
5. Imagine Arner drawing with not one, but ten implements simultaneously.
Each finger served the fullness of his musicality in the instant of its
stirring.
6. Imagine this drawing embracing the myriad conditions
provided by the setting. Instead of beach, sea, sun, wind, and shadow, Arner
probed the innards of his grand piano as well as the keys, unleashing wondrous percussive
and melodic opportunities.
Flights and songs of birds served as this concert’s inspiration.
Arner’s expressive freedom seemed the
perfect embodiment of avian disregard for human-contrived borders and rational systems.
Yet, for me, the concert exceeded the untethering of music from compositional norms.
It demonstrated that human emancipation
from constraint does not necessarily indicate explosive and destructive fury. Arner
yielded to an alternative ordering system. He discovered the logic of birds. Last night, he shared the glorious expression
of this revelation with his audience.
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It's Not About Raspberries |
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If it weren’t for my cousin’s terrible car accident which
made it impossible for me to concentrate on office work, I would not have been gardening
in the rain. The rhythmic plucking, pruning, and harvesting offered the solace
of a lullaby and the reassurance of a steady pulse. Then the potato patch beckoned me. Too
impatient to retrieve the metal pitchfork, my fingers probed the earth in
search of tubers. The cumulative effect of gentle rain, the calming
rhythms of garden chores, and muddied fingers culminated in an experience that
seems worthy of sharing. I proceeded to the raspberry bushes.
Berries hung amid the leaves, thorns, and
branches. Each promised a familiar taste delight. But they also offered an
unfamiliar challenge. I could either transport the berries to my mouth with muddy
fingers, or I could forego the fingers and accomplish the job directly with my
mouth - like a hungry deer. My hands were
instructed by my animal curiosity to remain at my sides as I surveyed the array
of succulent morsels. Most were crimson and pink, but there was one that was so
ripe it verged on purple. Slowly I leaned toward it with the predatory stealth
of a fox stalking its prey. As I inched toward my innocent victim, I noticed
its umbilical connection to the parent plant was almost severed. The smallest disturbance
could dislodge it. The berry’s fate hung in the balance - if it didn’t fall
into my eager mouth, it would fall upon the indifferent soil. Proceeding ever closer, I inadvertently bowed
in honor of this tiny treasure. At a distance of five inches each individual
pod in the cluster became visible. Its membranes were stretched into
translucency by loads of juice. At four
inches, the aroma of sweet berry became palpable. At three inches thorns brushed my cheeks as my
tongue maneuvered around a leaf that was obstructing my path. At two inches I
closed my eyes since they were of no use at this distance. Then millimeter by
millimeter I approached ever closer, led by varying intensities of scent and diverse
textures upon my tongue as it searched among the brittle stems and ribbed leaves
for the chosen berry. Such searches are
normally the job for fingers and eyes. My tongue is not accustomed to probing
unfamiliar conditions, and my nose rarely participates in such a task. Now both
were laying out my mental transit, measuring the distances and orienting the
approaches to my goal. An awkward thrust
finally accomplished the job. My protruding tongue collided with the side of
the berry. I quickly repositioned it to the bottom, imaging that the berry
would tumble onto this platform and into my awaiting mouth. But it clung to
its stem. My tongue reached out to feel its shape and weight and calculate my
next move. It instructed me to wrap my lips around the berry and tug. Success!
A gentle squeeze and sweet succulence filled my mouth.
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AHOY! Where Kues Open forum |
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AHOY!
Where Lies Henry Hudson?
ARCHITECTS DISCUSS
Their Daring Interpretations of
HENRY HUDSON’S Historic Voyage
OPEN FORUM
2-5 pm Sunday, September 13
FREE TO THE PUBLIC
Byrdcliffe Theater
Upper Byrdcliffe Road
Byrdcliffe Arts Colony, Woodstock, NY
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EXHIBITION
Outdoors
on the Byrdcliffe Arts Colony Grounds
Noteworthy architects from the Hudson Valley imagine that
Henry Hudson’s bones have finally washed ashore. They designed and
constructed twelve remarkable memorials that interpret the impact of
Hudson's historic journey.
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Organized by the Woodstock
Byrdcliffe Guild of Craftsmen
CURATOR
Linda Weintraub
ARCHITECT CONSULTANT
Alan Baer
http://www.woodstockguild.org/ahoy/
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ARCHITECTS
Tobias
Armborst, Byron Bell,
Mat
Bialecki, Matt Bua, John Cetra,
Amy Crews, Solange Fabião,
Randy Gerner, Nicholas Goldsmith,
Michael
McDonough, Andy Neal,
Barry
Price, Todd Rader,
Nancy
Ruddy, Evan Stoller,
Gisela
Stromeyer, Lester Walker,
and
Charles Warren
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ARCHITECT
MODERATORS
Frances Halsband & Peter
heelwright
Quadricentennial Event
New
York State Council on the Humanities
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“I found him in a tree.”
That was my response to my neighbor’s question,
“Where do you find these wonderful young people?”
My answer was in earnest. I really did find the lean, barefoot,
20-year-old with a mass of black curls and dazzling features up in the tree
that grows mid-way down the field in front of my house. At
first I saw only the soles of his feet as he lay on a large branch high over
head. When he saw me he leapt to the ground as graceful as a panther. He said
he frequently walks through the woods late at night to lie on the hillside and
explore the starry skies. This morning,
he was waiting for two young women to join him.
After a few brief minutes of conversation, I realized that the person who fell into my life from the sky shared my urging to mesh my personal life cycles with
the myriad life cycles of life forms in our ecosystem.
His falling to the ground seemed as natural as a falling
acorn. Perhaps it signaled the origin of something as mighty and enduring as a
great oak.
This encounter is
simply the latest in a series with well-intentioned, intelligent, capable young men
and women who grasp the extent of humanity’s current challenges and its
possibilities. While the majority of
young people I know are drawn to the virtualized and sanitized world of electronic
entertainment, gaming, and advertising, there seems to exist a growing minority of
mavericks who are attracted to farming, crafting, and physical labor. It is my
belief that these mavericks comprise humanity’s future-tense. They will thrive
while the techno-geniuses go down madly punching S.O.S. into their micro-chip devices.
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Pigs Love what Kids Hate, and Visa Versa |
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They are perpetually hungry omnivores!
I’m referring to my
adolescent pig (his name is Dorky Porky) and my flocks of chickens, geese,
turkeys, and ducks. During the months that they mature to become food for us, I
procure food for them. What they ingest
becomes the meat we eat.
No sophisticated cost-benefit analysis is required to
conclude that purchasing grain would bankrupt my venture. Foraging
off-sets, but does not solve the cost problem.
Left-overs from Camp Ramapo’s kitchens are my salvation. Each evening I arrive at the loading dock
with five gallon buckets. The staff fills them to the brim with hot and cold foods
that were prepared but not distributed. Besides
the astonishing quantity of food waste, these kitchen offerings provide valuable insights into the food preferences of children and animals.
But first a word about the camp:
Each summer several hundred troubled children are
transported from the inner city to the Ramapo Camp property which is next to my
own. The camp provides the children with alternatives to the urban blight and debilitating
clamor of urban living, believing that alternatives to familiar experiences of home
will refresh their spirits, clear their minds, heal their anxieties, and restore
their bodies.
Lessons from Ramapo kitchen: Children demand precisely the
foods my animals reject.
Evidently the children resisted including food in the new experiences they were offered. I know this
because the fresh fruits and veggies, whole grains, and broiled meats that were
served in the beginning of the season were gradually replaced by industrially
manufactured nuggets, fries, and patties. As the foods that resembled their
original forms disappeared, foods that were bleached, colored, reconstituted,
and molded into geometric standardization appeared. It seems the kitchen staff succumbed to 6 – 15 year olds' preferences.
The pleasure of my animals' dining experiences proceeded in the reverse
direction. They gulped down the fresh foods and they refused to eat hot dogs,
curly fries, chicken nuggets. It is as if they don’t recognize these substances
as food.
May I tell you a third astonishing insight? Even my compost
rejects these items!
If it is deep friend and battered, like onion rings, it
remains for weeks undecomposed, resisting the assault of huge populations of
bacteria and insects voraciously chomping and digesting all the other organic
offerings.
These preferences reveal the inherent
good sense of organisms that are immune to the appeal of advertisers and the
influence of marketers. At the same time they confirm the power of culture to divert
people from their body’s built-in messaging systems. Complex humanity might take a lesson might take a lesson from a big dumb pig and tiny bacteria - they know what's good for them.
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